Living for May.

May in Indianapolis. The sun comes out of hibernation and the temperatures (and humidity) rise. We begin taking trips to the lake and grilling out. In my childhood, the end of school became magically imminent. Summer becomes reality.

And all those good May feelings are punctuated by Memorial Day weekend: the Indianapolis 500.

Every year my parents host a huge race weekend party. Their college friends and their children–my friends–travel far and wide to attend the Indianapolis 500.  It’s an all around great tradition. This year, with my parents in their downtown condo, many will be staying with me–a passing of the torch, so to speak.

But perhaps the thing I’m most excited about at this moment–the morning after my Pacers took a 2-1 playoff series lead over the big, bad Miami Heat–is the prospect of a race weekend with both racing and basketball.

In my Reggie Miller-era childhood, this was more an expectation than an exception. I’m not quite counting my chickens before they’re hatched, the prospect alone is enough. And now that the city is waking up to their Pacers again, it’s all the more fun.

Racing. Basketball. Indianapolis in May.

I wrote an IndySpectator article that debuted yesterday morning about the history of the race and what it means to the city. Entitled “State of the Race Address.”

In the same vein, I’d like to re-share my IndySpectator about the Pacers from a little over a month ago, entitled “Meet me at the Fieldhouse.” It was written as the Pacers were beginning their final regular season run leading into the playoffs. It seems appropriate to share in light of last night’s display of #GoldSwagger, proving the fans are back, baby!

No, I refuse to stop smiling.

The mystery roll of film.

I recently developed a mystery roll of film. You know – an unmarked, fully-wound roll of film found at random in one’s home, daring you to develop it. I found mine in a box of childhood mementos in my basement and anticipated the worst: embarrassing preteen photos, embarrassing midteen photos, a whole roll of overexposed film, etc.

Nonetheless, I did what had to be done. I marched the mystery roll to my nearest photo lab and with much trepidation, laid down a $14 gamble.

An hour later, to my unexpected delight, I found 24 pretty cool photos. Taken back in 2006, I shot these on a trip my mother and I took to New York City my senior year in high school.

We saw the sights, visited the floor of the New York Stock Exchange, and as illustrated here, attended the U.S. Open. The photos have that undeniable and increasingly-rare film quality. They’re imperfect, grainy, a little overexposed, and I like it.

Mystery rolls are a gamble, but in this best case scenario, the bet paid off.

If…

If money grew on trees and I had an orchard, I would do a little pruning and buy this rare and rather pricey poster from the inaugural Indianapolis 500.

According to yesterday’s IBJ, this beauty is only one of two copies known in existence and recently fetched $24,000 at auction. The first spectacle of its kind, the inaugural Indianapolis 500 (which only lasted 5 miles) paved… errrr, rather… laid the brick way for Indianapolis’ longest standing and most notable tradition.

A little perspective: today, IndyCars reach speeds of over 220 mph. In 1909, they went around 55 mph. If me and my Saab could time travel, we’d be certain champions of the first running of the greatest spectacle in racing. Now excuse me, I must tend to my money trees…

LEON FUTUREDOG

This blog was built on the foundation of cute puppies, so it is my especially delightful privilege to introduce our own puppy, Leon FutureDog. Born February 5, he is the cutest, smartest, most adorable miniature Australian shepherd in the whole damn world. No doubt about it! Future pictures of the FutureDog (and future doting/bragging) are inevitable, so brace yourselves.

On a less adorable but still exciting note, my very first IndySpectator article comes out tomorrow morning. IndySpectator is a wonderful, free email newsletter about what’s cool around Indy. I suggest you all subscribe – if not for me, do it for your social life.

I had to share.

I am usually, generally a mild-mannered-ish type of person. I try to avoid discussing politics (unless it’s with my boyfriend’s father – right, Ross?) and I basically stink at confrontation. I make an exception, however, if the topic is my Indiana Pacers. I’ve got a bit of a chip on my shoulder for my Pacers and I am known to get a little feisty over it.

So, I’ve been working on my very first article for the IndySpectator, a wonderful free subscription newsletter about what’s going around Indy, which will go out this Friday – I suggest you all subscribe! I am especially excited because I’m writing about my Pacers – something nice, light, and not-so-feisty.

And, well, if you don’t know, the Pacers put up a 40-point fourth quarter last night to overcome a sizable deficit to defeat the dreaded New York Knicks. It was wonderful! Upon perusing the Indianapolis Star sports section this morning, however, I felt that Pacers-induced feistiness rising up within me, and I decided it was a great opportunity to channel all my feistiness into a letter to the editor and away from my nice, light IndySpectator article. I doubt they’ll do anything with my letter, so I had to share it here. Continue reading only if you want to know how I really feel.

After witnessing a riveting and inspiring comeback victory Tuesday night in Banker’s Life Fieldhouse, I was dismayed to see the front page of your sports’ section made minimal mention of our Pacer’s heroic efforts to overcome a longtime rival, the evil New York Knicks. With Reggie “the Knick Killer” Miller’s hall-of-fame announcement Monday, it is not hard to find a compelling story-line in Tuesday’s victory.  Continue reading

Don’t Mock the Artisan Meatery

Just finished my third reading of a recent New York Times Magazine article entitled “Don’t Mock the Artisinal-Pickle Maker.” As it turns out, those smelly “hipster” picklers, bakers, reclaimed wood salvagers, pigment paper dyers, urban farmers, food truckers, and chicken coop keepers are not in fact a radicalized liberal threat to our modern economy. No, no. They’re just doing capitalism old school.

It’s tempting to look at craft businesses as simply a rejection of modern industrial capitalism. But the craft approach is actually something new — a happy refinement of the excesses of our industrial era plus a return to the vision laid out by capitalism’s godfather, Adam Smith.

This is really good news because my boyfriend has recently been associating with this nefarious type of quasi-industrialism. A butcher’s apprentice at Indianapolis’ Smoking Goose Meatery, he’s on the forefront of the artisan meats game and his boss, capitalist-in-disguise Chris Eley, was recently outed as the Indianapolis Star’s #1 up-and-coming entrepreneur making a mark on the city. One key to Eley’s success – with Goose the Market at 16th & Delaware and its wholesale equivalent, the Smoking Goose at 407  N. Dorman Street – is specialization, as prescribed by Adam Smith’s “The Wealth of Nations.”

More significant, we’re entering an era of hyperspecialization. Huge numbers of middle-class people are now able to make a living specializing in something they enjoy, including creating niche products for other middle-class people who have enough money to indulge in buying things like high-end beef jerky.

To know just how well Eley hyperspecializes, you’ll have to indulge in one of the Goose’s meaty offerings. Here are a few of my favorites.

On point with prints…

Each morning, I drink a cup of coffee and live vicariously through my favorite blogs – theselby.com, archdaily.com, thesartorialist.com, and of course, garancedore.fr/en (the Sartorialist’s fab French girlfriend).

This morning, my coffee and I visited French fashion week and according to Garance Doré, prints are in and I’m delighted. Not because it means I’m fashion forward, but because my bed definitely is. I snapped a few iPhone pics and snagged a couple of Garance’s pics (as well as one from The New York Times Style Magazine‘s Prada fashion week coverage) to prove my point.

Today, Mr. Higgins interviewed Dan Wakefield…

My best friend George’s father is a writer for the Indianapolis Star and he writes the kind of articles that I enjoy most. A recent graduate of the Ernie Pyle School of Journalism, I don’t especially enjoy the parsed-down, strictly facts and no fun method of event coverage that intro journalism classes preach. Will Higgins’ writing has style, and I think it probably helps he doesn’t usually write about murders, trials, legislature, and the like.

Lately, it’s been breaking laws canoeing the canal, or tweeting coverage of the George Clinton and the P-Funk All-Stars concert in Broadripple: “Jager tastes like licorice.” Today, Mr. Higgins wrote about literary legend and Indy native, Dan Wakefield – and I’m envious.

My friend George and I consider ourselves ambassadors to the city we’ve grown up in (and our parents grew up in), and honestly, I can’t speak for George, but I’m almost uncomfortable with the recent outpouring of super positive attention the city has garnered following its super successful stint as SuperBowl host. Of course, I love the super recognition, but I’m not surprised. Indy has been overlooked for a long time and honestly, I think it’s part of its underdog appeal.

You have to be a kind of insider to get it. Like reading Dan Wakefield, or his good pal Kurt Vonnegut, and getting it. Sure, people outside of Indianapolis get Wakefield, as two of his novels have been made into Hollywood films (although he approves of only one), and Vonnegut is taught in schools everywhere. But I think when you’re from here, you have a heightened sense of getting it.

Even their books that aren’t based in Indianapolis or even about Indianapolis, you have a certain shared background: you know where they’re coming from, literally. Wakefield’s semi-autobiographical coming-of-age story “Going All the Way,” however, is based in Indianapolis and being able to identify and locate Sonny and Gunnar’s hangouts is an added treat.

Shortridge High School is Shortley. The Crown Hill Cemetery is Crown Point. Meridian Hills is Meridian Hills. The Melody Inn and the Red Key Taverns probably haven’t changed much at all since, and Binkley’s Kitchen & Bar on 52nd & College is just Binkley’s Pharmacy, which it really was in the 1950′s when “Going All the Way” took place.

Sure, Wakefield and Vonnegut haven’t always painted Indianapolis in the most super of lights, but it’s really just proof of our underdog mentality. Our city isn’t perfect. What city is? And sure, they both left, as did David Letterman, Jane Pauley, John Wooden, etc., but that’s OK. Letterman wouldn’t be Letterman if he’d stayed.

Mr. Higgins’ article is actually about Wakefield’s recent return, at the age of 79, to work on a novel and a collection of Vonneguts’ letters to be published later this year.

“There’s so much Indianapolis” in the correspondence, Wakefield said, “that it just felt right to be here.”

I think the key to Mr. Higgins’ style is in his restrained delivery of the details. He doesn’t explain as much as present. He gets all the best details from his sources and lets them speak for themselves.

He walks past the electronic sculpture “Ann Dancing” practically every evening and is charmed by it. “It’s like a beacon lighting the way home,” he said.

Behind the Scenes: “Clean Streets”

Few things in life (thus far) are more fun than seeing your friends do what they love – and do it well.

Almost a year ago, my longtime pal Charlie Mattingly and his friend Charlie Myers and his other friend Adam Geise made this 5-minute short film, “Clean Streets” for the Campus Movie Fest at Indiana University. They had won “Best Comedy” the year before with the “Alphabet”, so the pressure was on…

The whole thing was shot in three days, and I shot these behind-the-scene photos the first night of filming. Clearly, I couldn’t keep up and I think Lieutenant Lorenzo, as a result of some truly dedicated method acting (drinking), barely survived production (you can see it on his face in the last scene).

Now days Charlie works in Los Angeles, living the dream, doing what he loves – and doing it well. Check out “Clean Streets” so when Charlie’s a big star, you can all feel really cool by a vague association, claiming you knew of him before he hit it big. As for me, we went to senior homecoming together, sooooo… I really am really cool.

Revisiting: “Wilbur Montgomery & his poor old folk artist home”

A couple of summers ago, I spent a day documenting my friend Wilbur Montgomery for a photojournalism project. Wilbur is an Indianapolis photographer, and at the time, he was embarking on a new, daunting, but do-able project to convert an abandoned factory on the Monon Trail into a so-called “poor old folk artist home.”

I collaged one of the photos I took of him as a show of gratitude for hanging out with me – and because at something like 6 foot 8 inches of height with a fluffy white beard, Wilbur’s a great subject! Of course, I didn’t give him the gift until just last week – two years later – because us artsy types simply can’t be bothered with trivial timelines for showing gratitude and social decorum… Right, Wilbur?

Well, Wilbur immediately wrote me an expressive and wonderful thank you card for my measly collage, which I received before the weekend was out. That cad is giving us arty types a bad name! Well, anyway, I thought I’d share the video (which I had to convert to a different file type, so the timing is a little screwy), as well as the collage in question.

I think one of these days I’m going to do another Wilbur blog exclusively on his artwork. It will be wonderfully easy since my parents’ house is full of it! In the meantime, check out some of his awesome Indianapolis prints here.